1 00:00:27,400 --> 00:00:28,400 Thank you. 2 00:02:08,940 --> 00:02:10,340 Thank you. 3 00:10:26,090 --> 00:10:27,090 Bye. 4 00:11:21,320 --> 00:11:22,720 so 5 00:12:26,410 --> 00:12:27,410 Thank you. 6 00:14:18,980 --> 00:14:20,380 oh 7 00:16:11,480 --> 00:16:13,180 Don't let me start. Go ahead. 8 00:16:13,520 --> 00:16:15,860 I had something in my pants that was scratching me. 9 00:16:16,380 --> 00:16:18,180 But I think I just got there. 10 00:16:20,160 --> 00:16:22,560 Oh, this thing. I was in it all day. 11 00:16:23,360 --> 00:16:24,500 I've got plenty of time. 12 00:16:25,320 --> 00:16:26,320 How about you? 13 00:16:27,120 --> 00:16:28,900 I don't know what you're talking about. 14 00:16:30,060 --> 00:16:32,420 Well, you're a real attractive gal. 15 00:16:32,660 --> 00:16:34,380 And you've got a real attractive figure. 16 00:16:34,820 --> 00:16:36,100 At least what I saw of it. 17 00:16:36,920 --> 00:16:37,920 You're funny. 18 00:16:38,830 --> 00:16:40,710 I saw you just about enough to get me interested. 19 00:16:40,970 --> 00:16:41,970 What are you doing tonight? 20 00:16:42,790 --> 00:16:44,170 I want to go home. 21 00:16:45,190 --> 00:16:46,290 You don't want to do that. 22 00:16:46,650 --> 00:16:47,870 Let's go out and get some dinner. 23 00:16:48,210 --> 00:16:50,370 I can't. You can't? Why not? 24 00:16:50,890 --> 00:16:52,330 I already had dinner. 25 00:16:52,810 --> 00:16:54,250 Well, then let's go out and get a couple of drinks. 26 00:16:55,370 --> 00:16:56,530 You're kind of cute. 27 00:16:57,090 --> 00:16:58,850 I think I will have that interview. 28 00:16:59,590 --> 00:17:01,290 But I don't want to go to any bar. 29 00:17:02,210 --> 00:17:03,610 Let's go up to my apartment. 30 00:17:04,510 --> 00:17:05,869 Fine with me. Let's go. 31 00:18:20,929 --> 00:18:22,050 One thing will come. 32 00:18:22,610 --> 00:18:23,610 That's a good idea. 33 00:18:30,870 --> 00:18:33,630 No, you could get more comfortable, no? I think I will. 34 00:18:34,190 --> 00:18:35,190 Okay, great. 35 00:18:51,280 --> 00:18:52,300 A few minutes ago. 36 00:18:52,600 --> 00:18:54,920 And do I have a groovy guy in the kitchen? 37 00:18:55,440 --> 00:18:56,820 You and your groovy guys. 38 00:18:57,700 --> 00:18:58,700 Oh, really? 39 00:18:58,800 --> 00:19:02,600 Why don't you go out and meet him? He really is groovy. No, I don't feel like 40 00:19:02,600 --> 00:19:03,600 it. 41 00:19:04,640 --> 00:19:06,540 Oh, you got on new nightgowns. 42 00:19:07,900 --> 00:19:09,940 Oh, I like it. I think I'll try it on. 43 00:19:27,510 --> 00:19:29,750 I don't think I want that drink now. 44 00:19:31,230 --> 00:19:32,330 You're a drag. 45 00:19:37,410 --> 00:19:39,190 You spoil everybody's phone. 46 00:19:42,070 --> 00:19:43,530 I changed my mind. 47 00:19:43,770 --> 00:19:45,270 I think I'll have that drink now. 48 00:20:00,330 --> 00:20:02,430 What are you crazy? It's something I've been like this all night. 49 00:20:02,950 --> 00:20:05,750 Well, have it your way. Let me take over where I left off. 50 00:20:07,590 --> 00:20:08,670 Oh, damn! 51 00:20:09,090 --> 00:20:10,530 What the hell's the matter with you? 52 00:20:16,010 --> 00:20:17,550 That guy, what a creep. 53 00:20:18,210 --> 00:20:20,230 Why? He has hands like an octopus. 54 00:20:21,090 --> 00:20:22,029 That's good. 55 00:20:22,030 --> 00:20:23,390 Maybe for you, but not for me. 56 00:20:24,350 --> 00:20:26,150 I'd better get out there. I don't want to keep him waiting. 57 00:20:36,360 --> 00:20:37,159 Hi honey. 58 00:20:37,160 --> 00:20:38,520 Are you lonesome? 59 00:20:42,160 --> 00:20:43,600 How about a big kiss? 60 00:20:50,900 --> 00:20:55,480 Give me your hands. 61 00:20:56,460 --> 00:20:57,460 Put them here. 62 00:21:15,400 --> 00:21:16,400 It's horrific. 63 00:21:17,460 --> 00:21:18,820 Honey, I'll be right back. 64 00:21:19,080 --> 00:21:23,140 Listen, don't run away quite so soon. I don't understand the whole thing, but 65 00:21:23,140 --> 00:21:24,780 don't run away quite so soon. 66 00:21:25,740 --> 00:21:28,800 I'll be right back. 67 00:21:31,160 --> 00:21:32,160 Don't take long. 68 00:21:32,180 --> 00:21:32,799 I will. 69 00:21:32,800 --> 00:21:33,800 Move it. 70 00:21:41,540 --> 00:21:42,860 Boy, is he a lover. 71 00:21:43,300 --> 00:21:44,360 You could have him. 72 00:21:44,850 --> 00:21:46,670 Don't you think he was a little bit cute? 73 00:21:47,550 --> 00:21:48,650 Well, maybe. 74 00:21:50,490 --> 00:21:52,670 I think maybe he's the best one we had all month. 75 00:21:53,410 --> 00:21:54,450 If you say so. 76 00:21:55,110 --> 00:21:56,850 Why don't you go out and apologize to him? 77 00:22:00,750 --> 00:22:04,410 I'm sorry I slapped you, but I'm just letting you be handled that way. 78 00:22:05,830 --> 00:22:06,830 Handled that way? 79 00:22:07,010 --> 00:22:09,370 You put my hands where they were. It wasn't me. 80 00:22:09,810 --> 00:22:13,090 Look, I came in here to apologize, and this is why you talk to me? 81 00:22:13,480 --> 00:22:14,480 I'll talk to you. 82 00:22:15,580 --> 00:22:17,940 Come on. Let's have a kiss, huh? 83 00:22:18,220 --> 00:22:19,400 I said no! 84 00:22:43,690 --> 00:22:45,090 And I'm going to get the one that will. 85 00:22:51,310 --> 00:22:52,310 Rosie! 86 00:22:53,970 --> 00:22:56,750 Come on, let's give him a team treatment. No, I don't think so. 87 00:22:57,210 --> 00:22:58,330 Boy, you're a nice guy. 88 00:22:59,930 --> 00:23:00,930 Well, okay. 89 00:24:11,020 --> 00:24:12,020 Come in. 90 00:24:22,420 --> 00:24:24,880 I'm here in answer to the artist models ad. 91 00:24:25,100 --> 00:24:26,100 Are you the man? 92 00:24:26,320 --> 00:24:27,320 Yeah. 93 00:24:27,500 --> 00:24:29,580 I've never modeled for an artist before. 94 00:24:31,120 --> 00:24:34,060 Well, that's all right, but you gotta understand one thing. 95 00:24:34,260 --> 00:24:36,020 You see, I don't draw on paper. 96 00:24:36,500 --> 00:24:37,700 I paint on you. 97 00:24:38,020 --> 00:24:39,020 Paint on me? 98 00:24:39,780 --> 00:24:42,560 Yeah, it's a new device that I cooked up. 99 00:24:42,880 --> 00:24:44,640 Well, I've never tried it before. 100 00:24:45,200 --> 00:24:46,200 But I'll do it. 101 00:24:47,140 --> 00:24:49,900 Well, I gotta see if you're alright first. 102 00:24:50,260 --> 00:24:51,260 Take off your clothes. 103 00:25:11,880 --> 00:25:12,699 You'll do. 104 00:25:12,700 --> 00:25:13,700 Come over here. 105 00:26:18,409 --> 00:26:21,610 I presume you came in answer to my ad. Yes, I did. 106 00:26:22,310 --> 00:26:26,350 Well, as you can see, I have an unusual technique. 107 00:26:27,730 --> 00:26:29,710 I paint on you. On me? 108 00:26:30,610 --> 00:26:35,730 Well, yeah, it's a little bit weird, but if you're interested, it's $50. 109 00:26:36,610 --> 00:26:37,710 I guess I'm interested. 110 00:26:38,530 --> 00:26:41,430 Okay. Take off your clothes. I want to see what you look like. 111 00:26:58,700 --> 00:27:00,560 But I gotta finish it off first, okay? 112 00:27:10,720 --> 00:27:17,720 Can you pull it down a little 113 00:27:17,720 --> 00:27:18,720 bit? 114 00:27:19,120 --> 00:27:20,120 Okay. 115 00:27:26,900 --> 00:27:27,900 It's tasty. 116 00:27:52,040 --> 00:27:53,320 But she'll explain it to you. 117 00:27:54,060 --> 00:27:56,760 He paints on your body, gives you $50. 118 00:27:58,740 --> 00:27:59,800 I don't know. 119 00:28:00,640 --> 00:28:04,080 Well, if you want to, take off your clothes. I want to see what you look 120 00:28:04,080 --> 00:28:05,080 like. 121 00:28:06,380 --> 00:28:08,140 Why not? It's $50. 122 00:28:10,480 --> 00:28:11,480 Except me. 123 00:28:27,280 --> 00:28:28,280 Okay, you'll do. 124 00:28:28,900 --> 00:28:30,580 But I don't think I can get to you today. 125 00:28:30,840 --> 00:28:31,840 Can you come back tomorrow? 126 00:28:33,040 --> 00:28:35,220 Tomorrow? Yes, I'll come back tomorrow. 127 00:28:35,520 --> 00:28:36,520 Thank you. 128 00:28:39,760 --> 00:28:40,800 Hey, wait a minute. 129 00:28:41,840 --> 00:28:43,560 You can't go out there like that. 130 00:28:45,120 --> 00:28:46,620 Oh, I forgot. 131 00:29:28,179 --> 00:29:29,360 That's good for a test. 132 00:29:29,800 --> 00:29:31,700 But I'll be using you some more next week. 133 00:29:32,240 --> 00:29:33,500 You can take a shower now. 134 00:29:39,320 --> 00:29:42,120 You know, that wasn't as bad as I thought it would be. 135 00:29:42,460 --> 00:29:44,480 In fact, it's a good way to make $50. 136 00:29:46,700 --> 00:29:48,140 Come on, don't be afraid. 137 00:29:55,980 --> 00:29:56,980 Beautiful skin. 138 00:29:58,000 --> 00:30:00,000 For you I will make a zebra. 139 00:30:48,040 --> 00:30:49,620 Hey, Zippo, come on in. 140 00:30:51,100 --> 00:30:53,360 Man, what are you doing? 141 00:30:53,640 --> 00:30:55,620 Hey, that looks like fun. 142 00:30:58,800 --> 00:31:00,280 That looks like more fun. 143 00:31:04,020 --> 00:31:05,620 Wow, that's crazy. 144 00:31:06,220 --> 00:31:07,380 Can I do it? 145 00:31:08,080 --> 00:31:09,480 These are paid models. 146 00:31:10,100 --> 00:31:11,940 Well, I'll do it for nothing. 147 00:31:13,240 --> 00:31:14,940 All right, as soon as I'm through. 148 00:31:20,980 --> 00:31:22,240 Say it again. Oh, 149 00:31:23,180 --> 00:31:24,280 I think you love him. 150 00:31:25,320 --> 00:31:27,960 Beautiful. You gonna sing around and have a couple of drinks? 151 00:31:28,800 --> 00:31:29,800 All right. 152 00:31:39,960 --> 00:31:46,800 I'll use you next week too, but you can take a shower now. 153 00:32:05,420 --> 00:32:06,139 Another recruit? 154 00:32:06,140 --> 00:32:10,560 Yes. Are you going to stay for a party after all? What party? 155 00:32:10,800 --> 00:32:13,660 Well, we're going to have a party later on. Are you going to stay? 156 00:32:13,920 --> 00:32:15,440 Definitely. Beautiful. 157 00:32:19,240 --> 00:32:20,240 Here. 158 00:32:21,320 --> 00:32:22,320 Here, take it. 159 00:33:04,430 --> 00:33:05,430 How do you like that? 160 00:33:06,170 --> 00:33:07,170 Crazy. 161 00:33:10,070 --> 00:33:11,070 Well, I'm tired. 162 00:33:11,370 --> 00:33:13,170 Why don't you go take a shower with the rest of them? 163 00:33:21,030 --> 00:33:22,670 Hey, what's going on? 164 00:33:23,170 --> 00:33:24,170 We're going to have a party. 165 00:33:24,590 --> 00:33:25,810 Oh, wait for me. 166 00:33:26,230 --> 00:33:27,730 That's all right. You won't miss anything. 167 00:33:28,050 --> 00:33:29,050 Come on, lilies. 168 00:33:30,190 --> 00:33:32,330 Come on, wake up. Wake up. 169 00:33:34,220 --> 00:33:35,159 What's going on? 170 00:33:35,160 --> 00:33:36,280 We're going to have a party. 171 00:33:37,020 --> 00:33:38,780 Yeah, let's just swing, Mom. 172 00:33:39,160 --> 00:33:40,960 But you've got on too many clothes. 173 00:33:42,900 --> 00:33:44,760 Yeah, but who am I going to be with? 174 00:33:45,000 --> 00:33:47,420 Oh, you can just watch, baby. Just watch. 175 00:34:24,569 --> 00:34:27,370 Thank you. 176 00:34:54,570 --> 00:34:56,090 Uh, Marsha. 177 00:34:57,610 --> 00:35:01,230 It's the, uh... Yeah, it was the beach. 178 00:35:01,990 --> 00:35:04,750 Beach back in January. 179 00:36:17,420 --> 00:36:18,420 Hello, Boston? 180 00:37:20,160 --> 00:37:23,260 Boy, I wish I could just see this girl once more. 181 00:37:24,220 --> 00:37:28,040 Met her at Charlie's party. Yeah. 182 00:37:28,320 --> 00:37:34,000 She had on a red dress and the party got a little rough and she was beautiful. 183 00:38:31,320 --> 00:38:33,300 Yeah, here's a girl I met on the boat. 184 00:38:34,360 --> 00:38:35,560 Beautiful little girl. 185 00:38:37,580 --> 00:38:39,220 I wonder where she is now. 186 00:39:42,480 --> 00:39:43,660 Now, here's the thing. 187 00:39:44,800 --> 00:39:46,240 Where did I meet her? 188 00:39:47,680 --> 00:39:51,520 The villains worked in one of those coffee houses. 189 00:40:54,940 --> 00:40:56,100 This was a beauty. 190 00:40:56,480 --> 00:40:57,700 Where did I meet her? 191 00:41:47,630 --> 00:41:48,650 This is sexy. 192 00:41:50,570 --> 00:41:51,890 Where was that train? 193 00:41:52,170 --> 00:41:53,630 The train, where was I going? 194 00:41:54,810 --> 00:41:57,790 We got, she had the upper berth and I had the lower. 195 00:41:59,430 --> 00:42:01,390 Trying to get mixed up like that. 196 00:42:45,610 --> 00:42:48,390 This thing is worth a million dollars. 197 00:43:07,570 --> 00:43:09,150 Oh no. 198 00:43:10,170 --> 00:43:11,970 Not sunlight. 199 00:43:14,280 --> 00:43:15,840 Do you have to talk so loud? 200 00:43:16,660 --> 00:43:19,020 That was some party last night, wasn't it? 201 00:43:19,500 --> 00:43:21,300 Oh, was that last night? 202 00:43:21,840 --> 00:43:22,900 I hope so. 203 00:43:23,900 --> 00:43:26,860 Oh, hey, do we have any Alka-Seltzer in this place? 204 00:43:27,240 --> 00:43:28,900 I think there's some in the kitchen. 205 00:43:31,600 --> 00:43:35,660 Oh, hey, Judy, close the drapes and turn on the light, Lee, and maybe my eyes 206 00:43:35,660 --> 00:43:36,660 will stop hurting. 207 00:43:39,940 --> 00:43:40,940 Aye. 208 00:43:41,880 --> 00:43:43,180 Don't try it. It moves. 209 00:43:43,880 --> 00:43:44,880 I'll help you. 210 00:43:45,300 --> 00:43:48,660 Maybe between the two of us we can make it. What about her? 211 00:43:49,160 --> 00:43:51,240 If we don't wake her up, she'll sleep all day. 212 00:43:52,300 --> 00:43:54,100 What is that, rigor mortis? 213 00:43:56,340 --> 00:43:57,420 Leave me alone. 214 00:43:58,300 --> 00:43:59,860 Can't you see I'm dead? 215 00:44:01,200 --> 00:44:02,520 Don't you want some coffee? 216 00:44:02,940 --> 00:44:04,780 No, I couldn't keep it down. 217 00:44:06,540 --> 00:44:09,300 Well, come along with us anyway. Misery loves company. 218 00:44:09,980 --> 00:44:11,860 Oh, no. I'm going back to sleep. 219 00:44:12,220 --> 00:44:13,300 That's what you think. 220 00:44:19,300 --> 00:44:20,560 Oh, come on. 221 00:44:24,080 --> 00:44:25,080 Go away. 222 00:44:25,920 --> 00:44:26,899 Help me. 223 00:44:26,900 --> 00:44:28,080 Come on. No. 224 00:44:28,480 --> 00:44:31,860 No, I'm not getting up. Yes, you are. Come on. No. 225 00:44:32,100 --> 00:44:34,780 No. I'm not getting up. Two. 226 00:44:41,160 --> 00:44:43,560 Wait a minute, you two. I think I'd better go and call Sally. 227 00:45:29,130 --> 00:45:30,310 What time is it? 228 00:45:32,450 --> 00:45:33,910 Oh, it's so early. 229 00:45:34,230 --> 00:45:36,430 What are you doing calling me so early? 230 00:45:39,410 --> 00:45:40,410 Oh, well. 231 00:45:40,950 --> 00:45:41,950 Well, 232 00:45:42,850 --> 00:45:45,250 what a party. 233 00:45:47,750 --> 00:45:49,070 It sure was. 234 00:45:49,370 --> 00:45:51,670 And did you make a spectacle of yourself? 235 00:45:52,810 --> 00:45:53,850 Oh, no. 236 00:45:56,170 --> 00:45:58,590 Oh, did I do what I feel like I did? 237 00:46:01,870 --> 00:46:04,070 Oh, I did? 238 00:46:07,910 --> 00:46:08,910 I did? 239 00:46:13,270 --> 00:46:14,330 I did? 240 00:46:16,010 --> 00:46:17,010 Oh. 241 00:46:18,170 --> 00:46:19,370 Oh, my God. 242 00:46:20,310 --> 00:46:23,410 What's everybody going to think of me? The office. 243 00:46:39,500 --> 00:46:40,500 I'm sick. 244 00:46:42,300 --> 00:46:43,540 Well, we're all sick. 245 00:46:46,000 --> 00:46:50,460 Well... Well, you've just got to go to work. 246 00:46:50,880 --> 00:46:54,340 Besides, there were so many people from the office there that the boss will know 247 00:46:54,340 --> 00:46:55,340 what happened. 248 00:46:55,900 --> 00:46:58,780 Oh... Oh, my God. 249 00:46:59,820 --> 00:47:02,760 What's everybody going to think of me? The office? 250 00:47:03,980 --> 00:47:06,420 Now take something and pull yourself together. 251 00:47:07,180 --> 00:47:08,700 Well, you've got to go to work. 252 00:47:12,490 --> 00:47:13,490 All right. 253 00:47:14,450 --> 00:47:15,770 I'll go to work. 254 00:47:16,750 --> 00:47:20,250 What did you take for your headache? 255 00:47:22,030 --> 00:47:24,330 Alka-Seltzer? Brom-Seltzer? 256 00:47:30,710 --> 00:47:31,810 Orange juice? 257 00:47:33,210 --> 00:47:39,090 I tell you, I'm just... I'm just gonna take another big slug of whiskey and... 258 00:47:40,020 --> 00:47:43,140 That'll be all right. That's the only thing that's gonna get me through today. 259 00:47:43,440 --> 00:47:44,440 Believe me. 260 00:47:48,320 --> 00:47:49,320 Okay. 261 00:47:49,720 --> 00:47:51,280 Yeah, I'm gonna go take it right now. 262 00:47:52,520 --> 00:47:53,700 So much for them. 263 00:47:54,040 --> 00:47:55,660 Now let's take care of this one. 264 00:48:06,820 --> 00:48:09,260 Betty, you have to wake up. You've got to go to work. 265 00:48:10,450 --> 00:48:13,090 I'm going to call in sick this morning. 266 00:48:15,470 --> 00:48:18,430 You can't call in sick. You've missed too many days already. 267 00:48:18,870 --> 00:48:20,650 Yeah, what do you want to get fired or something? 268 00:48:21,350 --> 00:48:24,610 I can't help it. I really am sick this morning. 269 00:48:25,630 --> 00:48:27,190 We've got to do something. 270 00:48:27,570 --> 00:48:30,010 Like what? She's ready to pass out any minute. 271 00:48:30,270 --> 00:48:32,910 I don't know, but we've got to do something or she'll lose her job. 272 00:48:33,570 --> 00:48:36,650 Damn, we can't afford the rent on this place with just two of us paying it. 273 00:48:37,790 --> 00:48:39,510 But there must be some way. 274 00:48:40,990 --> 00:48:43,990 Well, it had better be good. Look at her. She's passed out again. 275 00:48:44,550 --> 00:48:48,690 What did she do last night, anyway? I've never seen anybody as bad as she is. 276 00:48:49,210 --> 00:48:50,230 You're asking me? 277 00:48:50,970 --> 00:48:53,270 Well, I don't remember past 10 o'clock myself. 278 00:48:54,150 --> 00:48:59,250 Well, about 11.30, I saw you out in the garden with a very good-looking young 279 00:48:59,250 --> 00:49:00,310 man. Man? 280 00:49:00,590 --> 00:49:02,590 Man? Well, she wakes up. 281 00:49:04,570 --> 00:49:05,890 Well, it's a start. 282 00:49:06,330 --> 00:49:07,590 Now she's gone again. 283 00:49:08,140 --> 00:49:10,460 Well, maybe what she needs is a good-looking young man. 284 00:49:11,060 --> 00:49:12,540 Man? Man? 285 00:49:13,120 --> 00:49:14,120 Where? 286 00:49:18,100 --> 00:49:20,060 I know. A sauna bath. 287 00:49:20,500 --> 00:49:22,060 Hey, that's a great idea. 288 00:49:23,260 --> 00:49:26,040 Maybe for you it is, but not for me. 289 00:49:27,440 --> 00:49:28,680 But you've got to. 290 00:49:30,980 --> 00:49:32,160 Here we go again. 291 00:49:34,500 --> 00:49:35,900 Let me go in first. 292 00:50:00,970 --> 00:50:03,990 But you have to go in. I don't want to. 293 00:50:04,230 --> 00:50:05,229 Go ahead. 294 00:50:05,230 --> 00:50:06,230 All right. 295 00:50:06,430 --> 00:50:08,710 But wait, don't forget to take your pants off. 296 00:50:54,670 --> 00:50:55,670 Is that you, Betty? 297 00:50:55,970 --> 00:50:56,970 No, Dad. 298 00:50:57,450 --> 00:50:58,490 Where could she be? 299 00:50:59,630 --> 00:51:01,170 That breath we felt. 300 00:51:01,630 --> 00:51:02,930 Maybe it was her leaving. 301 00:51:03,930 --> 00:51:05,590 We've got to find her. Come on. 302 00:51:07,190 --> 00:51:08,650 Will you get a look at that? 303 00:51:09,110 --> 00:51:10,770 I knew she'd never make it. 304 00:51:12,150 --> 00:51:15,050 Well, I'm not going to worry about her. I've got to get to work. 305 00:51:15,290 --> 00:51:16,290 Me too. 306 01:26:48,970 --> 01:26:51,090 Good morning, Mr. Carter. How are you feeling this morning? 307 01:26:51,350 --> 01:26:52,870 Fine, thank you very much. How are you? 308 01:26:53,110 --> 01:26:55,890 Fine. I've got a special delivery letter for you. 309 01:26:56,310 --> 01:26:57,310 Thank you very much. 310 01:26:58,470 --> 01:26:59,470 Oh, boys. 311 01:27:03,750 --> 01:27:04,910 You're waiting for this one. 312 01:27:13,610 --> 01:27:17,510 Dear Mr. Carter, regard photo contract. 313 01:27:18,220 --> 01:27:24,080 We must have the nude photographs within 24 hours or the terms of our contract 314 01:27:24,080 --> 01:27:25,080 are canceled. 315 01:27:25,340 --> 01:27:26,600 Yours very truly. 316 01:27:27,660 --> 01:27:30,080 Brother, and here I am stuck in a hospital. 317 01:27:30,720 --> 01:27:31,880 What am I going to do? 318 01:27:32,220 --> 01:27:33,220 What's the matter? 319 01:27:33,900 --> 01:27:38,940 I've got to produce four rolls of nude photographs within 24 hours, and here I 320 01:27:38,940 --> 01:27:40,100 am stuck in a hospital. 321 01:27:40,580 --> 01:27:41,740 Oh, that's too bad. 322 01:27:43,100 --> 01:27:45,020 By the way, what do you pay those girls? 323 01:27:45,520 --> 01:27:47,300 Well, it's usually $50 an hour. 324 01:27:48,160 --> 01:27:49,220 $50 an hour. 325 01:27:49,540 --> 01:27:51,500 I can get some of the nurses to help you out. 326 01:27:51,840 --> 01:27:53,100 But where are we going to shoot? 327 01:27:53,380 --> 01:27:55,480 We can shoot right in here. I'll lock the door. 328 01:27:56,500 --> 01:27:57,500 Well, what about props? 329 01:27:58,240 --> 01:28:00,540 I can get some from the entertainment room next door. 330 01:28:01,960 --> 01:28:02,759 That's great. 331 01:28:02,760 --> 01:28:05,100 Well, look, could you hand me my camera, please? Sure. 332 01:28:09,200 --> 01:28:10,260 Thank you very much. 333 01:28:27,630 --> 01:28:30,930 $50 is sure hard to pass up. I wish I knew what to do. 334 01:28:32,910 --> 01:28:36,770 The head nurse can do that. I don't see why I can't. It must be all right. 335 01:28:38,170 --> 01:28:42,430 Oh, but if my parents ever saw that, I'd be in disgrace. 336 01:28:44,330 --> 01:28:45,330 $50, boy. 337 01:28:46,630 --> 01:28:53,230 What I could buy with that, I could get a new dress, get me film for my camera. 338 01:28:54,030 --> 01:28:55,550 Gee, that's more than two days' pay. 339 01:28:57,870 --> 01:28:58,870 I don't know. 340 01:28:58,990 --> 01:29:00,710 It's an awful big chance to take. 341 01:29:03,410 --> 01:29:04,410 Hey, wait a minute. 342 01:29:05,850 --> 01:29:08,630 I could get someone else to party, but I can't do it. 343 01:29:09,670 --> 01:29:10,670 Elizabeth, 344 01:29:12,710 --> 01:29:15,370 she's got a terrific figure. She'd love it. 345 01:29:16,010 --> 01:29:17,010 Yeah. 346 01:29:34,960 --> 01:29:37,200 Can you give me room 704 in the nurse's dormitory? 347 01:29:39,020 --> 01:29:40,020 Thank you. 348 01:29:40,420 --> 01:29:41,420 Hello? 349 01:29:41,720 --> 01:29:42,720 Who is it? 350 01:29:43,660 --> 01:29:46,480 Oh, I just got off duty and I was about to take a shower. 351 01:29:46,960 --> 01:29:47,960 What do you want? 352 01:29:48,420 --> 01:29:53,080 Listen, there's a photographer over here. He's paying $50 to photograph some 353 01:29:53,080 --> 01:29:54,160 of the nurses in the nude. 354 01:29:54,900 --> 01:29:57,660 Well, they have nurses here, so I guess it's all right. 355 01:29:58,200 --> 01:30:00,440 Why don't you come on over? Maybe he'd use you. 356 01:30:01,620 --> 01:30:05,340 Oh, I wouldn't do it. Supposedly my father in Kansas City opened up a 357 01:30:05,340 --> 01:30:08,100 magazine and saw me nude in it. He'd kill me. 358 01:30:10,440 --> 01:30:13,420 Well, I just thought I'd ask. $50 is $50. 359 01:30:15,780 --> 01:30:19,260 Okay, honey, I'll see you at the dance on Saturday night. Don't work too hard. 360 01:30:19,780 --> 01:30:20,780 Bye-bye. 361 01:30:35,720 --> 01:30:40,000 see i told you we could get the stuff this is martha she's going to work for 362 01:30:40,000 --> 01:30:46,460 you and i've got another girl coming too fine what should we do now well if you 363 01:30:46,460 --> 01:30:50,240 hang the paper and martha gets undressed i'll use her first 364 01:31:16,300 --> 01:31:17,300 Come on. 365 01:31:17,920 --> 01:31:20,140 This is the other girl I was telling you about, Sue. 366 01:31:21,300 --> 01:31:22,300 How do you do, Sue? 367 01:31:22,480 --> 01:31:26,960 Hello. If you step over with Martha and get undressed, I'll use you second. 368 01:31:28,200 --> 01:31:30,080 Go on. It's $50. Okay. 369 01:31:38,520 --> 01:31:41,120 Hi, Martha. Can you take off your top, please? 370 01:31:49,160 --> 01:31:50,420 Now, could you step right over there? 371 01:31:52,400 --> 01:31:54,780 Martha, could you wave to me like we're on a beach? 372 01:31:55,640 --> 01:31:57,480 Stand up on your toes and wave to me. 373 01:31:58,700 --> 01:32:00,280 Wave with your hand. 374 01:32:01,120 --> 01:32:02,120 Smile. 375 01:32:02,260 --> 01:32:03,400 Great. Hold it. 376 01:32:03,660 --> 01:32:04,660 Arm. 377 01:32:04,920 --> 01:32:05,920 Let's do another one. 378 01:32:06,280 --> 01:32:09,060 Turn around a little bit and face the other direction. That's good. 379 01:32:09,300 --> 01:32:10,300 That's good. 380 01:32:10,420 --> 01:32:13,340 Now, take a deep breath and give me a nice, pretty smile. 381 01:32:14,020 --> 01:32:15,020 Throw it at me. 382 01:32:15,560 --> 01:32:16,318 That's nice. 383 01:32:16,320 --> 01:32:17,159 Hold it. 384 01:32:17,160 --> 01:32:18,160 Great. 385 01:32:22,700 --> 01:32:24,240 Comb your head just a little bit. 386 01:32:27,020 --> 01:32:28,020 One. 387 01:32:30,360 --> 01:32:32,600 Now, could you come in, please? 388 01:32:34,900 --> 01:32:35,900 Hi. 389 01:32:36,540 --> 01:32:37,700 Martha, you can leave. 390 01:32:37,940 --> 01:32:39,840 Can you take off your jacket, please? 391 01:32:44,020 --> 01:32:45,020 Oh, 392 01:32:45,640 --> 01:32:46,640 that's a nice pose. 393 01:32:48,240 --> 01:32:50,940 Very good. Bring your shoulder forward just a little bit. 394 01:32:51,400 --> 01:32:54,080 That's nice. Bring your whole body towards me. 395 01:32:55,900 --> 01:32:57,640 Very nice. Very good. 396 01:32:57,880 --> 01:32:58,880 Smile. 397 01:33:00,080 --> 01:33:02,020 Good. Let's take another one. 398 01:33:02,240 --> 01:33:05,380 Now this one, let's see it from the back. Turn around sideways. 399 01:33:07,620 --> 01:33:10,000 Take a deep breath in. Pull up your chest. 400 01:33:10,280 --> 01:33:11,280 Pull in your belly. 401 01:33:11,800 --> 01:33:13,740 That's good. Now give me a nice smile. 402 01:33:14,020 --> 01:33:15,020 Are you sweet? 403 01:33:16,280 --> 01:33:17,900 Finished. Finished. That's nice. 404 01:33:18,780 --> 01:33:19,780 Good. 405 01:33:26,760 --> 01:33:30,960 Well, let's try one. Could you put your hands against the colored paper, please? 406 01:33:31,580 --> 01:33:32,980 No, face the paper. 407 01:33:33,800 --> 01:33:35,680 Turn around and look at me. 408 01:33:36,460 --> 01:33:37,259 That's good. 409 01:33:37,260 --> 01:33:38,260 Great. 410 01:33:38,600 --> 01:33:39,840 That was a quick one. 411 01:33:40,140 --> 01:33:42,380 Turn just a little bit to the left. 412 01:33:42,760 --> 01:33:43,760 To your left. 413 01:33:44,760 --> 01:33:45,760 Good. 414 01:33:46,560 --> 01:33:47,680 Take a deep breath. 415 01:33:48,200 --> 01:33:49,200 Hold it. 416 01:33:49,240 --> 01:33:50,240 All right. 417 01:33:51,320 --> 01:33:52,320 All right. 418 01:33:52,480 --> 01:33:54,000 Now let's have the head move. 419 01:34:01,040 --> 01:34:06,840 Now if you can take off the jacket sleeve, and put it on the floor. 420 01:34:09,360 --> 01:34:13,720 Alright, now turn around with your shoulder pointing towards me. 421 01:34:14,260 --> 01:34:18,020 And on your hip. Now look over it. With a nice smile. 422 01:34:18,380 --> 01:34:19,560 Okay, there, hold it. 423 01:34:20,220 --> 01:34:21,220 Very good. 424 01:34:22,200 --> 01:34:23,400 Do another one now. 425 01:34:24,560 --> 01:34:27,460 Turn and face up to your right. 426 01:34:29,870 --> 01:34:32,850 Hands behind your head. Take a deep breath. 427 01:34:37,250 --> 01:34:39,910 Slowly start to turn around. 428 01:34:41,230 --> 01:34:42,350 Walk slowly. 429 01:34:42,690 --> 01:34:43,690 Keep turning. 430 01:34:44,290 --> 01:34:45,710 Make a full circle. 431 01:34:46,590 --> 01:34:47,730 Keep turning. 432 01:34:49,890 --> 01:34:50,910 Keep turning. 433 01:34:54,670 --> 01:34:56,350 Slowly bring your hands down. 434 01:34:56,590 --> 01:34:57,810 One at a time. 435 01:34:58,190 --> 01:34:59,560 Good. You getting it? 436 01:35:00,320 --> 01:35:01,199 Come on. 437 01:35:01,200 --> 01:35:02,200 You're a little tense. 438 01:35:03,220 --> 01:35:04,680 Maybe you can relax a little bit. 439 01:35:05,000 --> 01:35:06,000 That's good. 440 01:35:07,160 --> 01:35:08,560 Now, hands on your head. 441 01:35:09,740 --> 01:35:12,480 Now, let's see you got the actor's studio stand. 442 01:35:14,040 --> 01:35:15,040 That's right. 443 01:35:15,820 --> 01:35:17,420 All right, let's try another one. 444 01:35:17,780 --> 01:35:18,780 A little bit more. 445 01:35:19,900 --> 01:35:21,400 Let's take a deep breath. 446 01:35:22,720 --> 01:35:23,720 Smile. 447 01:35:23,900 --> 01:35:24,900 Good. 448 01:35:26,320 --> 01:35:27,620 Well, that was swell, hero. 449 01:35:28,240 --> 01:35:29,800 You really got me out of a damn. 450 01:35:30,360 --> 01:35:34,400 Listen, while I take the film out of the camera, I wonder if you could take it 451 01:35:34,400 --> 01:35:35,760 down and have it developed for me. 452 01:35:36,340 --> 01:35:38,340 Boy, it'll really save me a lot of trouble. 453 01:35:38,700 --> 01:35:40,380 I'll be glad to take it for you. 454 01:35:45,140 --> 01:35:47,580 That's the easiest $50 I ever made. 455 01:36:10,160 --> 01:36:14,560 Running a winter girl agency involves more work than one might think I not 456 01:36:14,560 --> 01:36:17,840 only have to send models to photographers when they call me But I 457 01:36:17,840 --> 01:36:21,400 have to send the right girl to the right person depending on his particular taste 458 01:36:21,400 --> 01:36:25,800 For instance last week a photographer called whose main interest was in legs 459 01:36:38,160 --> 01:36:40,920 sent Marcia, who was noted for her long and shapely legs. 460 01:36:41,920 --> 01:36:45,540 Marcia had never worked for this photographer before, but found that if 461 01:36:45,540 --> 01:36:47,840 she just followed directions, the camera would do the rest. 462 01:36:55,040 --> 01:36:58,040 In this case, Marcia was only instructed to bring a blouse. 463 01:36:58,440 --> 01:37:02,100 But if the photographer is looking for a particular effect, I have to make sure 464 01:37:02,100 --> 01:37:04,760 the model takes the proper clothes along with her. 465 01:37:05,800 --> 01:37:09,080 And this can be an ordeal, because even though the clothes will eventually come 466 01:37:09,080 --> 01:37:13,020 off, it's good to have something provocative and easily manageable. 467 01:37:22,920 --> 01:37:26,580 Marcia told me that at this particular photography session, she had almost worn 468 01:37:26,580 --> 01:37:28,160 a slipover blouse with no buttons. 469 01:37:28,560 --> 01:37:31,160 That wouldn't have fit in with what this photographer wanted. 470 01:37:33,980 --> 01:37:38,660 Marcia... was used to a minimum of face posing, for the camera started back down 471 01:37:38,660 --> 01:37:39,660 the body. 472 01:37:39,940 --> 01:37:43,580 She was noted for her bodily charms, as are all the models in my Rent-a-Girl 473 01:37:43,580 --> 01:37:44,580 agency. 474 01:38:40,360 --> 01:38:44,580 sometimes it's hard for me to keep track of who is who but i have a large card 475 01:38:44,580 --> 01:38:49,100 file with all the information needed to remind me when a photographer wants a 476 01:38:49,100 --> 01:38:52,820 particular girl i sometimes have to call the girl on short notice and persuade 477 01:38:52,820 --> 01:38:55,000 her to drop what she's doing and go right over 478 01:39:06,410 --> 01:39:09,710 Little Anita gave me a lot of trouble because she was very sleepy when I 479 01:39:09,710 --> 01:39:14,210 called. But she went anyway, and having it be a shorty pajama job doesn't help 480 01:39:14,210 --> 01:39:15,210 her mood any. 481 01:39:15,330 --> 01:39:18,390 She had just gotten out of bed, she told me, and then had to make like she was 482 01:39:18,390 --> 01:39:19,390 ready for bed again. 483 01:39:20,970 --> 01:39:24,610 She had to keep smoking or she would drop to sleep, she said. But I rather 484 01:39:24,610 --> 01:39:25,610 think she exaggerated. 485 01:39:36,140 --> 01:39:39,560 My models all look fresh and beautiful no matter what, and that's why they keep 486 01:39:39,560 --> 01:39:41,220 getting called back by the same photographer. 487 01:39:42,280 --> 01:39:45,400 But Anita was called on such short notice that she didn't even have time to 488 01:39:45,400 --> 01:39:48,000 spend on her hair, and she was a little worried that it looked messed up. 489 01:39:49,360 --> 01:39:52,400 But the photographer wanted her to play the part of a girl just getting out of 490 01:39:52,400 --> 01:39:54,020 bed, so Anita worked out fine. 491 01:40:12,580 --> 01:40:16,580 She was, however, glad when he said, all finished, and she could relax and 492 01:40:16,580 --> 01:40:17,580 collect her pay. 493 01:40:18,480 --> 01:40:22,020 I always instruct my models when I give them a booking that they must be 494 01:40:22,020 --> 01:40:23,020 punctual. 495 01:40:23,420 --> 01:40:26,340 If they have to wait for the photographer once they get there, it's 496 01:40:26,340 --> 01:40:30,460 tiresome. But if they're late and the photographer's ready, then his whole 497 01:40:30,460 --> 01:40:33,320 schedule is put out of order and the girl just might lose out on a job. 498 01:40:46,730 --> 01:40:50,270 My newest model, Carol, had to wait an hour for her photographer to finish up 499 01:40:50,270 --> 01:40:51,270 what he was doing. 500 01:40:51,550 --> 01:40:55,510 She decided to fill the waiting time by reading and was happy to relax with a 501 01:40:55,510 --> 01:40:56,510 magazine. 502 01:40:57,150 --> 01:41:01,050 Only even the prospect of making waiting pleasant can be disturbed by unexpected 503 01:41:01,050 --> 01:41:02,050 events. 504 01:41:02,530 --> 01:41:06,730 In Carol's case, the light stopped working and she had to go through all 505 01:41:06,730 --> 01:41:08,210 sorts of problems making it work. 506 01:42:09,179 --> 01:42:12,560 Luckily the photographer usually keeps the room warm enough to account for the 507 01:42:12,560 --> 01:42:14,140 scarcity of attire of his model 508 01:43:06,830 --> 01:43:10,130 She was determined to read that magazine, even if it meant disposing 509 01:43:10,130 --> 01:43:12,010 with part of her nightgown for the time being. 510 01:43:15,190 --> 01:43:19,190 She didn't have to wait long, but was exhausted before she even started. 511 01:43:20,730 --> 01:43:22,970 Oh, well, my days usually exhaust me, too. 512 01:43:23,290 --> 01:43:27,330 Spending the hours sitting down by the phone can be tiresome also, though I'm 513 01:43:27,330 --> 01:43:30,210 happy I don't have to sit under the bright lights that I used to have to 514 01:43:30,210 --> 01:43:31,630 when I myself was a model. 515 01:43:32,270 --> 01:43:36,210 This life is much easier and more profitable. Anybody want to rent a girl? 516 01:44:24,500 --> 01:44:29,020 Contrary to what the majority of people think, painting is not the simple matter 517 01:44:29,020 --> 01:44:33,360 of picking up a brush, applying oil to canvas and creating a work of art. 518 01:44:35,340 --> 01:44:39,540 I'm John Rogers Riley and my studio is located here in Midtown Manhattan. 519 01:44:42,640 --> 01:44:47,560 You must have the right model for the job and you must work out the best pose 520 01:44:47,560 --> 01:44:49,400 to create the mood you're trying to capture. 521 01:44:50,060 --> 01:44:54,000 That requires a certain amount of patience on the part of artist and model 522 01:44:54,000 --> 01:44:55,640 plus a good bit of hard work 523 01:44:55,640 --> 01:45:14,060 Here 524 01:45:14,060 --> 01:45:17,380 as you can see we haven't as yet found the right pose 525 01:45:24,520 --> 01:45:27,920 I'm doing some preliminary test paintings for a client of mine who has 526 01:45:27,920 --> 01:45:29,800 commissioned me for a rather big job. 527 01:45:30,640 --> 01:45:34,260 So I shall paint various models and from them choose one. 528 01:45:38,640 --> 01:45:42,640 I was interrupted by a young lady answering an ad I had placed in a daily 529 01:45:42,640 --> 01:45:43,640 paper for models. 530 01:45:51,660 --> 01:45:52,980 She wanted the job. 531 01:45:54,990 --> 01:45:58,710 I told her to undress over there and that I would let her know whether or not 532 01:45:58,710 --> 01:45:59,710 she could have the job. 533 01:46:04,770 --> 01:46:09,550 When she seemed somewhat shocked by what I said, I pointed out that in my 534 01:46:09,550 --> 01:46:14,110 business this is necessary and indicated to the model I was currently working on. 535 01:46:18,010 --> 01:46:20,190 If you want the job, that's what you'll have to do. 536 01:46:30,000 --> 01:46:32,740 She thought it over for a moment, then decided to undress. 537 01:46:33,860 --> 01:46:36,700 As she did this, I went back to finishing my painting. 538 01:48:38,860 --> 01:48:42,560 I gave the first model a break and went over to talk to the new girl. 539 01:48:54,900 --> 01:48:58,280 As she turned around, it was apparent that she had a good figure, so I 540 01:48:58,280 --> 01:49:00,100 outlined just what the job was about. 541 01:49:01,720 --> 01:49:05,520 I also included the fact that I was happily married and had two children. 542 01:49:05,740 --> 01:49:07,020 I asked her to wait. 543 01:49:07,940 --> 01:49:10,800 so that I could paint her after I finished the first model. 544 01:49:39,050 --> 01:49:44,010 This girl has been modeling for three years and this was her third job for me 545 01:49:44,010 --> 01:49:47,870 She has an impish quality that projects quite well 546 01:50:15,600 --> 01:50:19,500 I finished the first painting and told the new girl that I was ready for it. 547 01:50:45,770 --> 01:50:48,830 As she stood there I could see she was quite nervous. 548 01:51:38,440 --> 01:51:42,820 I tried to get her to assume a pose I wanted, but due to her inexperience, she 549 01:51:42,820 --> 01:51:43,920 couldn't quite manage it. 550 01:51:45,200 --> 01:51:49,500 I asked my first model, who had waited to stay to help out, to show her the 551 01:51:49,500 --> 01:51:50,500 pose I wanted. 552 01:52:16,720 --> 01:52:20,060 It really isn't so difficult when you learn little tricks of posing. 553 01:52:20,580 --> 01:52:24,580 Like picking out a certain spot to watch, then letting your imagination 554 01:52:24,580 --> 01:52:27,960 carry you off somewhere so as not to get tired too quickly. 555 01:52:51,920 --> 01:52:56,060 The new girl had a very nice figure and I was sure that I could use her. 556 01:52:56,620 --> 01:52:59,020 I told her this and she seemed pleased. 557 01:53:00,340 --> 01:53:04,980 I also commented on the fact that this being her first time, she did quite 558 01:53:04,980 --> 01:53:05,980 well. 559 01:53:07,140 --> 01:53:11,420 I thanked them both and waited for my next appointment.